
my grief over burvil’s absence has taken the form of antique blue glassware, i tell my art therapist.
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my grief over burvil’s absence has taken the form of antique blue glassware, i tell my art therapist.
Continue readingit is so very different. and yet also eerily similar.
especially the way the story presses against your brain.
all of the voices within it, like a choir with an orchestra, but you don’t quite have the music.
so it’s just voices and that weirdly lovely chaos of noise when the orchestra is warming up.

fragments, in no order, in and out of time.

***
but then you always knew exactly what you wanted to be, burvil says.
i’m watching an orange cat on an adjacent roof top stretching out in a patch of sunshine while another cat, a black one- who obviously likes the orange one more than the orange one likes it- tries to insinuate itself into the periphery of the spot of sunshine in which the orange cat is lying when i hear her say this. when she drops this revelation that i’ve always had my whole life figured out.
and i say, shut the front door.
something i have never thought, much less said aloud, in my life and certainly not to my grandmother.
but it was inconceivable that there could be any amnesia regarding how completely clueless i have been about how i wanted my life to look, how it took me, like, DECADES to convince myself that what i write has value and that my life could and should be the strangely impossible wonderfully weird thing that it has become.
apparently burvil had this idea that everyone else knows what they’re doing with their lives and she’s the only one who made it up as she went along.
and i say, gran, gran, really, NO. remember how i was going to be a veterinarian because i wrote that on a blue star in fifth grade? i didn’t know what i was doing. i just kept doing it.
i’m so relieved, she says, that you’re like me.
and i think, i am too, burvil. i am too.

time is like an accordion. sometimes it stretches, sometimes it’s all squeezed up.
i wrote a version of that in a post a thousand lifetimes ago and made my students read it in spring 2020, when we’d all moved online and i didn’t know what to teach them beyond, apparently, the fact that time is weird and the moments fold back on one another and we try to navigate them as best we can.
that’s the summation of all of my work: time is weird.
when i die, they’ll write: “single lady writer dies, thought time was an accordion.”
you’re welcome.

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full collection of press coverage, appearances, podcasts, essays, etc. HERE!
completely forgot to acknowledge that here, and it’s kind of the whole thing that brung us.

hi. hello. remember how this is a thing we do? basically go fug yourself but with dolls?
nope? may i refer you to my rich seam of informal, doctoral-level scholarship on emotions and dolls: HERE.
yep? let’s roll.
as has been the case in recent years, the franklin mint will dominate here, so let’s go ahead and get our girl madame alexander out of the way.
do you ever just feel like…….

that’s the title of rose kennedy’s 1974 memoir.

at this point my biggest memory of times to remember is of the time i spent in the research room at the jfk library powering through the cassette tapes of rose kennedy’s recorded interviews with someone whose name i cannot remember.
someone who may or may not have been her ghost writer?
someone who definitely did not know to pause their question asking when planes flew overhead.
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this’ll be about jackie having died on this day twenty-eight years ago today.
wait for it.
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